Do you have a long form project in mind? Are you ready to pull the trigger and start the journey? Well, believe it or not, there are some really important things to know and do before you start. But don’t just take my word for it either, sometimes you need to work for 20 years in an uphill battle before you can get something important through your thick skull. I know, because that is how it was for me.
So, here is my simple list of things to consider before starting your comic project. (more…)
Tropes are storytelling devices. Used well, they enrich a story; used badly, they result in the dreaded cliché. This series of articles takes a closer look at some major tropes relevant to comics and the pitfalls they may present. (more…)
If you’re using letters to convey language in a graphic context then it’s a good idea to learn about some basic typographic rules, or you run the risk of making major mistakes known as “type crimes”. Comic lettering, while different from traditional typography, shares many of the same rules and benefits as its cousin. (more…)
Most comic book scripts are a series of panel descriptions intended for the artistic team. The script is your way to communicate to your artists—it’s a technical document, not intended for your audience nor designed to make people laugh or cry.
For my first contribution to the site, I thought I’d start with the single best piece of advice I could ever give a creator. (more…)
One of the first problems I encountered during my pre-convention preparation was that of print-making. Comics themselves, well, there’s only one real choice for those of us getting started: digital offset offered by the likes of Ka-Blam or Createspace. (more…)
The internet has transformed independent comics and given creators an easy way to get their stories out to the public. There are a lot of different ways to publish your work online, but two of the most popular are WordPress and WordPress running ComicPress. (more…)
Excitement would understate how I felt when I read Frank Santoro’s articles on the first appearance of the Golden Ratio in Hergé’s TIntin comic pages. Santoro used grid overlays to explain comic composition with geometric shapes in a way that could be easily understood by a graphic designer, like myself. (more…)
No one ever says to the surgeon, “You know, I think I’d really like to try performing a kidney transplant sometime.” Meanwhile, there is no professional or aspiring professional writer who has not heard, at least once, upon explaining his or her vocation, “You know, I think I’ve got a novel in me, somewhere.” It’s infuriating. (more…)
