One of the main goals of the Three Questions format is to allow artists of every level to learn from their peers. It affords one artist a window into the mental and physical process of a fellow artist in order to possibly grow themselves. In doing so, you the listener also benefits. Through these podcasts we learn there is only one way to do things: The way that works best for you, whether it’s the process of others or one you created on your own.
In this particular episode, Gutter Talk alumni Ted Washington and Sam Wallace sit down for a three question conversation touching on topics such as being an artist and homeless to a process suggestion that may surprise you in a “Hey, I never thought of it that way” kinda way. Though if you know Ted, it makes perfect sense.
These are Ted’s three questions.
Question 1: What was the moment that made you say, “This is what I want to do with the rest of my life.”
Question 2: If you could choose one medium of art to work in for the rest of your life, what medium would that be?
Question 3: What do you believe is something everybody should do in their process that you believe most people don’t do?
Podcast: Play in new window | Download (Duration: 13:44 — 12.6MB) | Embed
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LINKS
Ted Washington (@tedwa)
YouTube videos (lotekted)
Ted’s studio pics:
Sam Wallace (@SammyMayhem)
MUSIC
Intro: Stingray – Dangerous Thought by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License (http://freemusicarchive.org)
Outro: Stingray – Once a moment by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License (http://freemusicarchive.org)
Segment 1: Grand Caravan by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License (http://freemusicarchive.org)
Segment 2: Red Cowboy by Dyman is licensed under a Attribution-NonCommercial-ShareAlike License (http://freemusicarchive.org)
Segment 3: Noahs Stark by krackatoa is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License (http://freemusicarchive.org)
makingcomics.com
Great work on the mixing Adam. This is a bold new direction and I am loving every second of it.
I’m terrible when it comes to not relying on correction fluid. I can’t remember the last time I did a page of inked line art without using some Pure White at the end. But a good deal of it involves fine details like cracks, textures, highlights, etc. So I guess I shouldn’t beat myself up too bad, lol.